Plot Summary:In R.D. Laing's now classic text "The Politics of Experience" (1967) Laing argued that normality entailed adjusting ourselves to the mystification of an alienating and depersonalizing world. Thus, those society labels as 'mentally ill' are in fact 'hyper-sane' travelers, conducting an inner voyage through aeonic time. The film concentrates on archival representations of Laing and his colleagues as they struggled to acknowledge the importance of considering social environment and disturbed interaction in institutions as significant factors in the aetiology of human distress and suffering. All Divided Selves reprises the vacillating responses to these radical views and the less forgiving responses to Laing's latter career shift; from eminent psychiatrist to enterprising celebrity. A dense, engaging and lyrical collage- Fowler weaves archival material with his own filmic observations-marrying a dynamic soundtrack of field recordings with recorded music by Éric La Casa, Jean-Luc Guionnet ...
Fowler’s collage film about R.D. Laing, who spearheaded the social and cultural revolutions of the 1960s, weaves archival material with his own filmic observations. For Laing normality meant adjusting ourselves to the mystification of an alienating world.